Chicago's Oldest and Most Successful Writing Workshop

A Professional Writer is an Amateur Who Didn't Quit.
Endorsements
“A true story master.”
BERNARD SABATH
Broadway playwright, author of
The Boys in Autumn

“Simply the best workshop ever.”
NICOLE HOLLANDER
nationally syndicated cartoonist, creator of Sylvia
Learn More
  WHERE AND WHEN

  GUARANTEE

  WHO IS JERRY CLEAVER?

  HOW TO JUDGE A WORKSHOP

  WHAT YOU GET

  WHAT YOU LEARN

  HOW YOU LEARN

  DO YOU HAVE WHAT
  IT TAKES?


  PHILOSOPHY

  STILL UNSURE?

  HOME


S A M P L E   T H E   C O U R S E


Call and Talk to Jerry Cleaver Personally at 773-348-4116 or email him at jerry@
loftworkshops.com



How You Learn
  • Lecture and discussion. In the first part of each workshop session, a specific technique is presented using concrete, clear-cut examples so you can see and apply these techniques directly to your writing. This approach demystifies the process, eliminates the guesswork, and puts the pleasure and satisfaction back in.
  • In-class writing. We end each session by writing for the last half-hour. Putting words on the page is what it's all about so we end by putting you in the process to get you loosened up and create some momentum that will carry over to the outside. This is your time to write anything you want, but a number of dramatic, provocative scene and story setups are given each time to help you get going if you need them.
  • Workshop of the writing. It's not just feedback. The single, best way to master the story craft. Special techniques for actually practicing your craft and developing your skills and your ideas while considering some one else's work even though you're not putting words on the page. You will not be required or pressured to present your own work. All writing is presented by Jerry and is presented anonymously so the members can be relaxed and focus on the craft. Emphasis is on your own immediate, spontaneous response, which is where every story lives or dies. Like falling in love, you shouldn't have to be mulling it over or asking yourself, Is it working? Again, it's all about learning to trust your emotional radar and use it to turn any idea into a dramatic, compelling story.
  • Story Help Line. Jerry is a full time writer and workshop leader. He's around all the time, which means you can call any time and get the help you need without waiting until the next class. Getting the help when you need it is a great catalyst in developing your skills.
  • Personal Conferences. In-person conferences about any and all writing problems. Get help with picking ideas, setting goals, scheduling, etc, to make sure you're not working against yourself and setting yourself up for failure with unrealistic expectations.